Showing posts with label Arthur Rimbaud. Show all posts
Showing posts with label Arthur Rimbaud. Show all posts

Tuesday, May 31, 2011

The Sense of Smell

"At four in the morning, in summertime,

Love's drowsiness still lasts...

The bushes blow away the odor

Of the night's feast."
Rimbaud, Alchemy of the Word

They say blind people can hear better than sighted people, or if not better, they can focus and understand what they’re hearing better. So, when I started to lose my hearing, I figured I was going to be compensated by a gradual ramping up of my sight: perhaps into galactically hallucinatory levels. Instead, I can’t see to thread a needle any more.

I was compensated however by developing hyper smell. It’s like a radioactive anteater bit me. (I say anteater because they have this long snout, so it’s like they must be able to smell ants at 100 anteater paces.) Unlike my mediocre gardening skills, my mad sense of smell could beat up my mother’s sense of smell.

During those lately fleeting moments of consciousness, it never starts to amaze me when information is conveyed to my brain by my senses of smell: like having a conversation without words.

My unasked for superpower is a mixed blessing, which I guess is pretty typical of superpowers. My flights of olfactory abandon take me to the fathomless deep space of the atom, with electrons spinning around it to make the logo of the old Disneyland’s old Tomorrowland. (Kind of funny how Walt got that wrong. Instead of flying around in our jetpacks or sliding along a motorized walkway, we’re texting our Swiss bankers for account updates via the cloud.)

So instead of offsetting my superpower like I would have in my younger days - by buying stuff I don’t need to comfort me – I am trying to use my super powers only for good, by planting a garden for smelling. You can buy stuff to please your eye. You can work with the Internet to find music that only you can appreciate deep within your genome. (You know, like how some song lyrics seem to be a confidential message addressed to you alone in the world. If that were so, the soundtrack to today would be the lyrics to the song Mahna, Mahna, Mahna, but that’s for another post.) But you can’t easily surround yourself with good smells. I don’t count the entire aisle of the supermarket that is filled with multitudes of “air fresheners” that purport to bathe your rooms in aromas of mountain glens, freshly cleaned laundry, or cinnabuns.

This morning I took a walk through the backyard still fresh from a day of soft overnight rain, and I smelled the flowers. I mean I really smelled the flowers.

There was the white rose, moments away from burning out in a solar flare of blown rose: full, filled with dew. It exuded a scent of melting mountain snow and with faint finish of charcoal fire, and the damp whiff of high thread count cotton.

To me, there is a world of difference between the honest essential oil fragrance of say, lavender, and the oily chemical lavender with an undertone of burnt toast. All floral and herbal smells are like that to me. Only the genuine essential oil smell pleases my nose; never the synthetic poser fragrances that always leave an olfactory aftertaste of petroleum products and wet cardboard.

The blue flower spikes on the white sage, smell somehow like green tea, with a tincture of sweet sage and a pinch of the honey from of adjacent sweet white alyssum. The heavy dew doesn’t just wake up these smells, it kicks them out of bed and onto the floor, tangled up in a pile of sheets.

The flowering ornamental quince flowers don’t seem to have a fragrance so much as they seem to wear an olfactory trench coat that permits only a faint trace of scent to escape - like something you can remember so clearly you can almost smell it - a lingering smell that combines night-blooming jasmine and spicy lemon verbena, combined with an earthy smell something like ripe blue cheese.

I don’t generally garden with flowers, preferring the scented herbs and other fragrant plants. I have a lemon area that includes lemongrass and a lemony vetiver grass, lemon verbena, lemon thyme and, of course, a dwarf Meyer lemon variety that might actually produce lemons this year. A trip through my yard before the morning dew evaporates is an olfactory delight.

Saturday, December 04, 2010

Fourteen FAQ Answers

When I was a child I caught a fleeting glimpse out of the corner of my eye. I turned to look and it was gone, I cannot put my finger on it now. The child is grown, the dream is gone.

The Great Boston molasses flood of 1919.

Yes, there is an approved form for that.

We use white rabbit hair that is dyed pink.

Genius lives on. All else is merely transitory.

The report called it an unidentified particulate.

We get that one all the time. The American Academy of Allergy, Asthma and Immunology has a network of pollen counters across the United States. Each counter works under the direction of an AAAAI member and must first pass a certification course provided through the AAAAI.

I would prefer not to.

It was like that when I got here.

Yes: vegetarians can eat animal crackers.

That would be Jacques Chirac.

These people are beyond science, logic and reason. They have strangled the fuzzy bunny of reason, backed over it with their under-inflated off-road tires of ignorance, popped it into reverse, and driven over reason’s flattened bloody corpse.

Although this poison is colorless and tasteless, the presence of arsenic has been detectable since the Marsh test was developed in 1836. So, no.

Once, if my memory serves me well, my life was a banquet where every heart revealed itself, where every wine flowed.

Saturday, September 25, 2010

Redecorating

Autumn already! - But why regret the everlasting sun, if we are sworn to a search for divine brightness, - far from those who die as seasons turn.
Rimbaud, Farewell

For several years now, I’ve been planning to install a shishi odoshi, or “deer scare” adjacent to the old pond where we had one many years ago. Here is the site before I began: the water feature is in the deep shade beneath the palm leaf, and behind the potman on his little chair.

The shishi odoshi has a large bamboo rocker arm closed on one side and open to a small stream of water at the other. The arm is then mounted so it pivots at the balance point. As the tube fills with water, it slowly overfills and tips; emptying the water and making a lovely sound as the bamboo strikes the rock. The sound of the hollow bamboo tube, knocking on a large rock every time the tube fills with water, pivots, and tips to empty is strangely peaceful. I doubt that it scares anybody, but unlike every other standing water feature in my yard, birds do not seem to drink from this new installation, so maybe it does scare them.

We got a new shishi odoshi several years ago at a local craft fair, but I finally got around to beginning the project to hook it up. The challenge isn’t plumbing so much as excavating, cleaning out the overgrown spot where ginger colonized in the shade of an old palm.

The site held several years of accumulated weeds and dirt, rocks, as well as black widow and other spiders. This is one of the few tasks that I will only undertake wearing good garden gloves. When moving stones and rocks, gloves are necessary to protect my hands from being cut, and to avoid encrusting the cuts with dirt, but more importantly to protect me from disturbed spiders as I evict them from their lairs.

The water drip is fed from a small submersible aquarium pump inside a completely contained reservoir that re-circulates the water – we have electricity nearby to power the pump. Because of inevitable leaks and drips, the entire arrangement must sit on top of the reservoir. This assures that water is lost only to evaporation and not to drips that don’t return water to the reservoir.

By the time I was done with the preparation, excavation and placement of the reservoir, I realized the black plastic storage box was too small to contain both ends of the shishi odoshi AND the drip-line of the sounding rock I had chosen. Since I really wanted to use the hollowed out hypertufa pot as the source of my mountain spring, I was forced to choose either the shishi odoshi or the hollowed out rock itself. I went with the rock, and Tech Support Guy drilled a hole in the bottom for the tube leading from the reservoir. He also drilled a handful of small holes in the lid of the plastic storage box/reservoir to allow the water to drain beneath the rocks and return to the reservoir.

I even took some of the plentiful moss from the ground beneath the big old pine tree, and smooshed it into some of the grooves in the tufa pot. I’d love to see the moss naturalize itself here. I have found that I get algae in the other tsukubai, and have to pour in a splash of Clorox in once in a while to keep it from looking greasy with algae. Since the tsukubai gets direct sun half the day, I think that may be the source of the algae problem. The new water feature is in full shade all day, so I’m hoping the moss will thrive and the algae won’t.

Later, I’ll try to install the shishi odoshi elsewhere in the garden, perhaps at a spot where it can be powered by a solar pump. But meanwhile, I now have an inviting cool spring bubbling qieetly over moss, near the place where the new stone table and benches will go, replacing the old decomposing stone table and benches - but that's another project.

Friday, July 16, 2010

Look! A squirrel!

“But I see that my mind is asleep.
If it stays wide awake from this moment on, we would soon reach the truth, which may even now surround us with its weeping angels!...
- If it had been wide awake until this moment, I would have never given in to degenerate instincts, long ago!...
- If it had always been wide awake, I would be floating in wisdom!...”
Arthur Rimbaud (1854 – 1891) The Impossible

This morning, it’s more like I’m floating in a swamp of distractions that substitute for thought. I feel I have the attention span of a dragonfly on crack. It’s too hot outside to even attempt to play in the backyard. I am no longer acclimated to the muggy hot climate I grew up in. The heat - maybe. The humidity - not at my advanced age and current sumo-fighting weight.

I am in my post-dollhouse-construction funk. The Wisteria House is almost done. The inside is completely done. The lights have already begun to spiral into darkness, as the crap Cir-kit lights and copper strip wiring succumb to entropy, poor design and a level of quality control rivaled by a swarm of screaming squirrels who were up all night drinking Jack and eating candy. The lights on the basement floor on the door don’t work, and probably can’t be fixed short of removing wallpaper and/or re-wiring. The 4th floor hall light I constructed from an Art Nouveau greeting card, framed and wired with lights behind each flower is also not working. This may be more easily troubleshot (I may have just coined a neologism!) and more easily fixed, but I can’t muster the enthusiasm or the attention today.

Instead, as the doll house lights begin to go out one by one, I think I can hear weeping angels over the sound of my profanity.

Tech Support Guy bought me this shell dollhouse back at the turn of the century. The outside was painted pink and encrusted with lime green Victorian gingerbread trim. I decided to avoid the cliché of Victorian décor in favor of Art Nouveau - particularly the French style, which flourished from about the 1890s to about 1910, when overtaken by déclassé Art Deco and the Great War. I got stuck for several years trying to create a wood tile floor on the second (main) floor). Geometry was not one of my stronger skills: my math skills – once rivaling those of a room of monkeys writing War and Peace in cursive - have degenerated along with the rest of my baser instincts.


When I finally finished the floor by abandoning the pattern and kluging the tiles in a place now covered by an area rug, I managed to wake up and resume my Sisyphean attempts to electrify the dollhouse.

Faulty electricity, and more particularly, the abysmal products available for dollhouses made mostly by a company called Cir-Kit, have relentlessly hounded my steps and complicated my wiring like an ever worsening case of a hobo with tuberculosis left untreated by antibiotics. Both the hobo and Cir-Kit wiring will ultimately die alone in the dark. Just when you think you’ve managed to get the lights in stable and working order, a passing squirrel, an earthquake, or even a mild sigh of satisfaction, will cause them to tremble and go dark. To be fair, the electrical lights sold under the Miniature House brand are equally worthless: both probably made by the same demented manufacturer.

Perhaps a visit to the farmer’s market later this afternoon will revive my attention and help me reach some version of the truth. If not the truth of dollhouse electrical wiring, then perhaps the wisdom of roasting tomatoes. This time, if I manage to avoid writing monkeys, screaming squirrels and other passing distractions, I think I’ll use more garlic and go with thyme instead of basil. Next, who knows? World domination?