"What does it matter to me that you are wise?
Be lovely = and be sad!
Tears are an advantage to the face,
as streams enhance the meadow's mystery
and rains refresh the rose.
I love you best of all when happiness
fades from your downcast brow;
when horror overflows your heart; and when
your days are darkened by a spreading cloud:
the shadow of the past."
- Charles Baudelaire, Les Fleurs du Mal, "Sad Madrigal"
Be lovely = and be sad!
Tears are an advantage to the face,
as streams enhance the meadow's mystery
and rains refresh the rose.
I love you best of all when happiness
fades from your downcast brow;
when horror overflows your heart; and when
your days are darkened by a spreading cloud:
the shadow of the past."
- Charles Baudelaire, Les Fleurs du Mal, "Sad Madrigal"
In Happy Days, Chuck was a
hollow figure. His entire backstory
consisted of a basketball. In the pilot
we saw Chuck as an almost parody of a yokel without a clue. The entire series
is about how we find the real and evolving Chuck. In the Pilot Episode, we saw
Chuck and Darleen sipping martinis on their back deck overlooking a few blocks
of houses between them and desert scrub and a jagged mountain range to the
west. The sun has set leaving the barest trace of red smudge around the
silhouette of the mountains. Darleen is trying to explain Ricki’s latest problems
with her single mom life and her latchkey child, their grandchildren Fidel and
Lucy. At 18, Fidel is a roughly recovering bully and petty thief. Lucy, at 21
is still pronounced LOO-see by her family and bears it with good grace. Chuck
is clearly distracted, but also, when he tunes in intermittently, totally
clueless about how to approach and disarm the ticking bomb that is his family
chemistry. He comes across as a preoccupied and distant daddy.
But Finding Chuck is about
how in each episode Chuck wakes up to some new, initially depressing but
ultimately/possibly redeeming understanding of The World of Tomorrow Today. Episode
2 begins in the same place, but another sunset, another color of martini, a
change of clothes. We have gone from summer to winter. This time, instead of
Darleen’s monologue rolling off Chuck like syrup off a plastic table cloth,
leaving little behind but stickiness, Chuck is talking. He asks Darleen why
elephants drink and when she doesn’t know the answer he provides it: to forget.
The fact that this is not only new to Darleen in 1995 but hilarious tells us
something about how much of life she herself missed, probably while doing or
selling weed and attending the hard knocks school of law in prison. She has
recently finished probation after service just over two years of a 10 year
sentence.
Chuck and Darleen go from
joking about what elephants need to forget and toasts to what she and Chuck
have forgotten. “I’m assuming” she says “we drink for the same reason as
elephants.”
But this episode is about how
Chuck’s briefly sketches, superficially dysfunctional family is a pretty
functional family. Darleen asks Chuck what he remembers about losing his right
leg. For the first time we get to see it. While he and Darleen are rocking on a
swing and huddled under a blanket, their legs stick out, one clearly made of
the latest prosthetic available in 1995, so not terribly Terminator-ish. It’s a
pink plastic, below knee calf-shaped monstrosity wearing an elf slipper with a
curled up toe and a tiny bell.
“I remember the night me and
JC were both too drunk to drive and we took off our legs and held each other up
as we walked up to the apartment and into the elevator. Between his missing
left leg and my missing right leg, we made the world’s first two-legged three
legged race. Mr. S was entertained. Mrs. S, not so much.”
“No. About how you lost your
leg.”
“JC left his in ‘Nam…”
“Your leg.”
Chuck falls silent for a long
enough time to hear the phone stop ringing inside the house and the answering
machine message play and the caller mildly say “Fuck.” and hang up.
“Something about drinking and
driving?”
Darleen starts to giggle like
she did at the elephant joke. I’m not sure we want to reveal what happened to
Chuck’s missing leg. It’s a metaphor for a chunk of Chuck’s missing years. We
want to hint that Chuck may not remember either.
Darleen sips her martini and
says, “You can do better than that.”
Chuck: “The empty bottle of
Jack and the cat lady with the chainsaw?
Pause. “The botched liquor store robbery and the ‘chute that didn’t
open?”
“Menopause. Dick.”
“Aww, that’s not fair. I
never meant just because you broke my arm I attempted suicide. I maintain to
this day, that you jumped. Swear to god I didn’t push. And the car wasn’t even
going that fast. We were already in the driveway. Right?” Darleen does a
double-take of doubt and then laughs louder.
This conversation is
interspersed with flashbacks to an auto crash, a startled face covered with the
white powder from an exploded airbag, eyes opening in confused surprise, and a
soft grin of impressed pride in surviving. Pretty sure it’s Chuck’s face. Darleen
clearly knows what happened, because in one of the flashbacks we see her in
prison blue, crying through the glass as young teenaged Ricki explains. But
because we’re on Darleen’s side, we can’t hear much except “amputate, but save
the right knee”.
The phone starts ringing
again. Darleen lifts her chin at Chuck who heaves himself up, grabs the blanket
and, at the dismay on Darleen’s face, tosses it gaily in her lap. He kisses the
top of her head as he passes.
JC is calling and, after
being assured no furniture was/is/will be thrown, says he wants to come over
and talk.
Darleen gets up and sets a
fifth place at the dinner table. She calls out “Dinner my darlings” in a way we
know this has been a long family tradition.
Over dinner we get the kind
of chat that introduces us to the characters. We see Ricki and Lucy are close
and deciding whether to break the news that they don’t’ know where Fidel has
been gone for the last couple of days. JC and Lucy talk anthropology because
she is clearly in his class at the community college. Ricki and Chuck talk
about who is cooking what for Xmas dinner next week. Darleen mostly is silent
but part of each conversation. We see under the table, that JC has a prosthetic
leg that differs only from Chuck’s in that the plastic skin is a dusty brown
and has a scratched purple heart sticker like a tattoo above, of course, the
left elf boot that is match to Chuck’s right elf boot. The guys clearly share
shoe purchases, making the eclectic nature of their footwear a recurring
mystery of how they somehow always manage to appear together wearing the same
pair of shoes.
Finally, Darleen says, “So,
what’s up JC?” The implication is clear that this group is a family that works
as a team. There is no consideration that JC might want a private word with
Chuck. This also tells us the problem isn’t at the table.
Then we go to another scene,
clearly from about 18 years ago when Fidel was born and JC does a voiceover
about why Darleen was there without Chuck for the difficult labor and birth. JC
explains that Chuck was elsewhere in the hospital and we see a closed room in
another part of the hospital. We slide down an institutional hall to a closed
door at the end. We look down on a sleeping or unconscious Chuck in bed.
JC explains that this wasn’t
an ordinary drunk blackout or a near death DUI experience. “Chuck had attempted
suicide almost exactly a year ago, and the day Fidel was born, we still didn’t
know if this was another attempt.” As the scene shifts, we see, like a film
playing in reverse slow-mo, Chuck falling off the roof and we back up to see
him hanging Xmas lights and turning in time to see a kid on a bike ride by and
give the ladder a vicious kick. There is a basketball in the front basket of
the bike.
JC: “We figured it out later
because Ricki had set up one of the cameras from Chuck’s job inside the house
and at their mailbox to catch the vandal who kept smashing the mailbox.” JC
goes on to explain that Chuck had a pretty serious concussion and seemed to
come unstuck, later telling people he had no recollection of the Xmas Fidel was
born. We cut from yet another scene of
Darleen crying over Chuck’s bed, and then close on a happier scene of Darleen
holding infant Fidel at Ricki’s bedside and crying in happiness. The story of
why the ladder was kicked, why the mailbox was vandalized is one of the first
hanging threads that will recur in Finding Chuck. Who was that kid?
The episode ends with JC
saying he knows where Fidel is and he’s ok but he’s in over his head on his
latest scam. Darleen nods and agrees that word on the street is his con pyramid
is about to implode. Ricki and Lucy look surprised. Chuck looks like he knows
something more but isn’t saying.
Chuck: “Maybe it’s time for
some tough love. He’s making us all sad and we are pretty much out of tricks to
fix this on our own.”
We have to insert flashes of
Fidel’s cons and I have absolutely no imagination or energy to think of a
suspenseful and clever scheme unwinding. Fidel is too smart for his own good
and he knows he’s painted himself into a corner.
Darleen: “God I could go for
some Barbeque Fritos!”
Finding Chuck includes a
running joke about Barbeque Fritos. By 1995, they only make those augur-shaped
chili cheese Fritos, which are like badly botched flavor and shape surgery.
In future episodes, I will
try to remember to insert flashbacks involving real Barbequed Fritos. We have
to see Chuck eloquently explaining why the best ever food for munchies was
Barbeque-flavored Frito-shaped Fritos.
We also include in a
flashback where Chuck returns from one coma or another and finds Barbeque
Fritos are gone and feeling like Moses peeking over the mountain and finding
the Dry Salton Seabed. Broken Promised-Land allegories aside, Barbeque flavored
Fritos were totally the best munchies food ever.
JC’s voiceover ends this
episode as we watch the unheard dinner table conversation: “I brought some
Genocide by Chocolate from my Mom’s bakery for desert”. JC breaks out the cake
and we end on genuine delight and laughter at the table.
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